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Writing for the theatre and about theatre requires a diverse set of skills, but whether you’re studying theatre or developing your creative craft, this book covers everything you need to know. Providing a practical introduction supplemented with exercises and personal interviews with a host of theatre professionals, it will help you to practice and master the many types of writing encountered in the theatre, including:

  • how to analyze and break down a script,
  • how to write various types of plays, from short plays, plays for one person, to one act and full length dramas,
  • how to critique a play and a theatre production,
  • how to construct and craft essays, cover letters, theatrical resumes, applications, and
  • how to avoid common grammar and punctuation errors.
Book Cover Graphic ENLARGED FINAL - Writing for the Theatre [MOUNTED ON BOOK] crop

Release date: August 11, 2022.

Filled with practical advice from an award-winning playwright, director, author, and college professor, and featuring a range of resources to guide you in the craft and business of theatre writing, The Art of Writing for the Theatre provides everything you need to know to write like a seasoned theatre professional. Accompanying online resources include playwriting and script analysis worksheets and exercises, an example of a playwriting resume, and critical points to consider on playwriting, design, acting, directing and choreography.

Home

Writing for the theatre and about theatre requires a diverse set of skills, but whether you’re studying theatre or developing your creative craft, this book covers everything you need to know. Providing a practical introduction supplemented with exercises and personal interviews with a host of theatre professionals, it will help you to practice and master the many types of writing encountered in the theatre, including:

  • how to analyze and break down a script,
  • how to write various types of plays, from short plays, plays for one person, to one act and full length dramas,
  • how to critique a play and a theatre production,
  • how to construct and craft essays, cover letters, theatrical resumes, applications, and
  • how to avoid common grammar and punctuation errors.
Book Cover Graphic ENLARGED FINAL - Writing for the Theatre [MOUNTED ON BOOK] crop

Release date: August 11, 2022.

Filled with practical advice from an award-winning playwright, director, author, and college professor, and featuring a range of resources to guide you in the craft and business of theatre writing, The Art of Writing for the Theatre provides everything you need to know to write like a seasoned theatre professional. Accompanying online resources include playwriting and script analysis worksheets and exercises, an example of a playwriting resume, and critical points to consider on playwriting, design, acting, directing and choreography.

Writing for the theatre and about theatre requires a diverse set of skills, but whether you’re studying theatre or developing your creative craft, this book covers everything you need to know. Providing a practical introduction supplemented with exercises and personal interviews with a host of theatre professionals, it will help you to practice and master the many types of writing encountered in the theatre, including:

  • how to analyze and break down a script,
  • how to write various types of plays, from short plays, plays for one person, to one act and full length dramas,
  • how to critique a play and a theatre production,
  • how to construct and craft essays, cover letters, theatrical resumes, applications, and
  • how to avoid common grammar and punctuation errors.

Filled with practical advice from an award-winning playwright, director, author, and college professor, and featuring a range of resources to guide you in the craft and business of theatre writing, The Art of Writing for the Theatre provides everything you need to know to write like a seasoned theatre professional. Accompanying online resources include playwriting and script analysis worksheets and exercises, an example of a playwriting resume, and critical points to consider on playwriting, design, acting, directing and choreography.

Home

Release date: August 11, 2022.

Book Cover Graphic ENLARGED FINAL - Writing for the Theatre [MOUNTED ON BOOK] crop

“Even after fifty years of creating musicals, I found THE ART OF WRITING FOR THE THEATRE immensely helpful, especially as I undertake new projects. Luke Yankee’s clear and concise analysis and advice, coupled with the insights of the writers he interviewed, seems to me invaluable and inspiring for anyone aspiring to write for the theatre, from beginner to long-time professional.”

Stephen Schwartz
Tony-winning composer and lyricist of WICKED, PIPPIN, & GODSPELL.

Writing for the theatre and about theatre requires a diverse set of skills, but whether you’re studying theatre or developing your creative craft, this book covers everything you need to know. Providing a practical introduction supplemented with exercises and personal interviews with a host of theatre professionals, it will help you to practice and master the many types of writing encountered in the theatre, including:

  • how to analyze and break down a script,
  • how to write various types of plays, from short plays, plays for one person, to one act and full length dramas,
  • how to critique a play and a theatre production,
  • how to construct and craft essays, cover letters, theatrical resumes, applications, and
  • how to avoid common grammar and punctuation errors.

Filled with practical advice from an award-winning playwright, director, author, and college professor, and featuring a range of resources to guide you in the craft and business of theatre writing, The Art of Writing for the Theatre provides everything you need to know to write like a seasoned theatre professional. Accompanying online resources include playwriting and script analysis worksheets and exercises, an example of a playwriting resume, and critical points to consider on playwriting, design, acting, directing and choreography.

Available in hardcover, paperback and ebook formats.
Release date August 11, 2022.

Available in hardcover, paperback and ebook formats. Release date August 11, 2022.

The Art of Writing for the Theatre:

An Introduction to Script Analysis, Playwriting, and Criticism

by Luke Yankee

Including interviews with:

Ben Brantley * Charles Busch * Kia Corthron * Joe DiPietro * Peter Filichia * Lyn Gardner * Stephen Adly Guirgis * Sheldon Harnick * Beth Henley * Samuel D. Hunter * David Henry Hwang * Ismail Khalidi * David Lindsay-Abaire * Marsha Norman * Donald Margulies * Octavio Solis * Naomi Wallace * David Zippel

© 2022, Luke Yankee
Methuen Drama – Bloomsbury Press

Table of Contents

bg-doodle-line-title

Note on the Text

Introduction

  1. Script Analysis
    Why Do We Need Script Analysis?
    Definitions & Terms for Script Analysis
    Freytag’s Pyramid and the Dramatic Arc
    A Crash Course in Aristotle’s Poetics
    Script Analysis Worksheet
  2. Playwriting
    The Elements of Playwriting
    What Does “Show, Don’t Tell” Mean?
    The Significance of Exposition
    The Good Title Test
    The Mechanics of Writing a Play
    How Do You Start?
    How To Write a Ten-Minute Play
    Other Play Formats
    Conclusion
  3. Criticism
    The “Why” of Theatre Criticism
    “I Liked it” Doesn’t Matter
    Writing a Critique for a Play
    “Why am I Bored?”
    A Sample Critique
    Criticism as Entertainment
    Remember: Artists Have Feelings, Too
    When to Keep it to Yourself
    What to Look for When Writing a Critique
    Critiquing Other Forms




  4. The Interviews: Conversations with Acclaimed Playwrights, Critics, Librettists, and Lyricists
    A Series of Master Classes
    On Starting Out
    “What Should I Write About?”
    On Structure
    A Writer’s Process
    Readings and Play Development
    On Taking Advice on your Script
    On Collaboration
    On Writing Musicals
    On the Writer as “The Outsider Looking In”
    On Critics & Theatre Criticism
    Advice for New Writers
    What Do You Love About the Theatre?
  5. The Brass Tacks: Practical Tools of Writing for the Theatre
    The “How To” Of A Writer’s Life
    Read, See, and Hear
    Theatre Blogs
    Cover Letters for Writers…and Beyond
    Living Room Readings: The Value of Free Pizza
    Virtual Presentations
    A Map of Relationships
    Opening Night Cards and Gratitude Letters: A Lost Art

Conclusion

Endnotes
Further Reading
AppendixBiographies of Interviewees
Special Thanks
About the Author
Index

Samples of Chapters

bg-doodle-line-title

The Art of Writing for the Theatre:

An Introduction to Script Analysis, Playwriting, and Criticism

by Luke Yankee

Including interviews with:

Ben Brantley * Charles Busch * Kia Corthron * Joe DiPietro * Peter Filichia * Lyn Gardner * Stephen Adly Guirgis * Sheldon Harnick * Beth Henley * Samuel D. Hunter * David Henry Hwang * Ismail Khalidi * David Lindsay-Abaire * Marsha Norman * Donald Margulies * Octavio Solis * Naomi Wallace * David Zippel

© 2022, Luke Yankee
Methuen Drama – Bloomsbury Press

The Art of Writing for the Theatre:

An Introduction to Script Analysis, Playwriting, and Criticism

by Luke Yankee

Including interviews with:

Ben Brantley * Charles Busch * Kia Corthron * Joe DiPietro * Peter Filichia * Lyn Gardner * Stephen Adly Guirgis * Sheldon Harnick * Beth Henley * Samuel D. Hunter * David Henry Hwang * Ismail Khalidi * David Lindsay-Abaire * Marsha Norman * Donald Margulies * Octavio Solis * Naomi Wallace * David Zippel

© 2022, Luke Yankee
Methuen Drama – Bloomsbury Press

Table of Contents

bg-doodle-line-title

Note on the Text

Introduction

  1. Script Analysis
    Why Do We Need Script Analysis?
    Definitions & Terms for Script Analysis
    Freytag’s Pyramid and the Dramatic Arc
    A Crash Course in Aristotle’s Poetics
    Script Analysis Worksheet
  2. Playwriting
    The Elements of Playwriting
    What Does “Show, Don’t Tell” Mean?
    The Significance of Exposition
    The Good Title Test
    The Mechanics of Writing a Play
    How Do You Start?
    How To Write a Ten-Minute Play
    Other Play Formats
    Conclusion
  3. Criticism
    The “Why” of Theatre Criticism
    “I Liked it” Doesn’t Matter
    Writing a Critique for a Play
    “Why am I Bored?”
    A Sample Critique
    Criticism as Entertainment
    Remember: Artists Have Feelings, Too
    When to Keep it to Yourself
    What to Look for When Writing a Critique
    Critiquing Other Forms





  4. The Interviews: Conversations with Acclaimed Playwrights, Critics, Librettists, and Lyricists
    A Series of Master Classes
    On Starting Out
    “What Should I Write About?”
    On Structure
    A Writer’s Process
    Readings and Play Development
    On Taking Advice on your Script
    On Collaboration
    On Writing Musicals
    On the Writer as “The Outsider Looking In”
    On Critics & Theatre Criticism
    Advice for New Writers
    What Do You Love About the Theatre?
  5. The Brass Tacks: Practical Tools of Writing for the Theatre
    The “How To” Of A Writer’s Life
    Read, See, and Hear
    Theatre Blogs
    Cover Letters for Writers…and Beyond
    Living Room Readings: The Value of Free Pizza
    Virtual Presentations
    A Map of Relationships
    Opening Night Cards and Gratitude Letters: A Lost Art

Conclusion

Endnotes
Further Reading
AppendixBiographies of Interviewees
Special Thanks
About the Author
Index

Samples of Chapters

bg-doodle-line-title

The Art of Writing
for the Theatre:

An Introduction to Script Analysis, Playwriting, and Criticism

by Luke Yankee

Including interviews with:

Ben Brantley * Charles Busch * Kia Corthron * Joe DiPietro * Peter Filichia * Lyn Gardner * Stephen Adly Guirgis * Sheldon Harnick * Beth Henley * Samuel D. Hunter * David Henry Hwang * Ismail Khalidi * David Lindsay-Abaire * Marsha Norman * Donald Margulies * Octavio Solis * Naomi Wallace * David Zippel

© 2022, Luke Yankee
Methuen Drama – Bloomsbury Press

Table of Contents


 

Note on the Text
Introduction

  1. Script Analysis
    Why Do We Need Script Analysis?
    Definitions & Terms for Script Analysis
    Freytag’s Pyramid and the Dramatic Arc
    A Crash Course in Aristotle’s Poetics
    Script Analysis Worksheet
  2. Playwriting
    The Elements of Playwriting
    What Does “Show, Don’t Tell” Mean?
    The Significance of Exposition
    The Good Title Test
    The Mechanics of Writing a Play
    How Do You Start?
    How To Write a Ten-Minute Play
    Other Play Formats
    Conclusion
  3. Criticism
    The “Why” of Theatre Criticism
    “I Liked it” Doesn’t Matter
    Writing a Critique for a Play
    “Why am I Bored?”
    A Sample Critique
    Criticism as Entertainment
    Remember: Artists Have Feelings, Too
    When to Keep it to Yourself
    What to Look for When Writing a Critique
    Critiquing Other Forms
  4. The Interviews: Conversations with Acclaimed Playwrights, Critics, Librettists, and Lyricists
    A Series of Master Classes
    On Starting Out
    “What Should I Write About?”
    On Structure
    A Writer’s Process
    Readings and Play Development
    On Taking Advice on your Script
    On Collaboration
    On Writing Musicals
    On the Writer as “The Outsider Looking In”
    On Critics & Theatre Criticism
    Advice for New Writers
    What Do You Love About the Theatre?
  5. The Brass Tacks: Practical Tools of Writing for the Theatre
    The “How To” Of A Writer’s Life
    Read, See, and Hear
    Theatre Blogs
    Cover Letters for Writers…and Beyond
    Living Room Readings: The Value of Free Pizza
    Virtual Presentations
    A Map of Relationships
    Opening Night Cards and Gratitude Letters: A Lost Art

Conclusion

Endnotes
Further Reading
AppendixBiographies of Interviewees
Special Thanks
About the Author
Index

Samples of Chapters


Available in hardcover, paperback and ebook formats.
Release date August 11, 2022.

Available in hardcover, paperback and ebook formats. Release date August 11, 2022.

Excerpts from Chapter 4 –
The Interviews

bg-doodle-line-title

Marsha-Norman-3

Marsha Norman

The Pulitzer Prize-winning playwright of ‘Night Mother talks about “writing from your stuff.”

Stephen Adly Guirgis

Tony nominated playwright of Between Riverside & Crazy and Tony nominee for The Motherf*@cker with the Hat gives advice to young writers.

Stephen Adly Guirgis
Kia Corthron

Kia Corthron

Award-winning novelist & playwright Kia Corthron (Breath, Boom) discusses her writing process, including doing a first draft in longhand.

David Henry Hwang

Tony-winning playwright for Butterfly discusses getting notes on your script and his first meeting with legendary producer, Joseph Papp.

david-henry-hwang
Beth Henley

Beth Henley

Pulitzer Prize winner for Crimes of The Heart explains her method for doing readings of her plays.

Donald Margulies

The Pulitzer Prize winning playwright of Dinner with Friends and the head of playwriting at Yale University tells his students, “Start by writing the scene you are most passionate about.”

Donald Margulies
Ben Brantley2

Ben Brantley

The critic for The New York Times for nearly 30 years gives advice to those who want to write criticism.

David Zippel

The Tony-winning librettist for City of Angels discusses the transformative power of writing musicals.

David Zippel4

Available in hardcover, paperback and ebook formats.
Release date August 11, 2022.

Available in hardcover, paperback and ebook formats. Release date August 11, 2022.

Quotes

bg-doodle-line-title

“This is a must-read for anyone in the arts, but particularly for young people with a hunger to immerse themselves in the nuts and bolts of the theatre, and the crucial importance of language. The accomplished director and playwright, Luke Yankee, leaves no stone unturned in this comprehensive work; he clearly has a great love and respect, not only for playwriting, but for all the essential elements that fill in the spaces.”

Victor Garber
Four-time Tony nominee for LEND ME A TENOR, DEATHTRAP, LITTLE ME, & DAMN YANKEES; six-time Emmy nominee

“I only wish when I was starting out that I had a book like this. It is filled with valuable and important information. Luke Yankee’s insight and guidance is spot on! Anybody who is thinking about going into this profession should start by reading this book.”

Scott Ellis
Nine-time Tony nominee as Best Director; Olivier award winner as Best Director for SHE LOVES ME

“One can’t have a life in the theater by taking shortcuts. One can’t enter this world with no regard for what has come before you. The elements needed toward becoming a true person of the theater are beautifully illuminated and enumerated in Luke Yankee’s book. He is a playwright and a director whose heart has been in the theater ever since he was a kid. Rightly so. Love and intelligence mix in this essential work.”

Joanna Gleason
Tony winner for INTO THE WOODS; three-time Drama Desk Award winner

“From the reader’s first encounter with the text and the writer’s confrontation with the empty page, Luke Yankee’s THE ART OF WRITING FOR THE THEATRE offers clarifying definitions and helpful guidance for aspiring playwrights and theatre critics. Using excerpts from his own plays as subjects for analysis and enlightening interviews with working playwrights and critics, the book offers a wealth of information and inspiration for all who seek to better understand the inner workings of the writer’s art.”

Evan Yionoulis
Richard Rodgers Dean and Director of the Drama Division, The Juilliard School

“You’ll have to go far and wide to find a better introduction to script analysis, playwriting, and criticism than this. Every theatre teacher should use this in their classroom. Practical and informative!”

Millicent Martin
BAFTA award winner and two-time Tony nominee for SIDE BY SIDE BY SONDHEIM and KING OF HEARTS

“This book has it all! It contains a concrete approach to understanding what’s inside a scene, a terrific tutorial on putting thoughts onto paper, a look inside the nuances of criticism, and straightforward advice from professionals at the top of their game. If you are a theatre artist who plans to put words on a page, you need to read and study this book.”

Professor Brian Kite
Dean - UCLA School of Theater, Film, and Television

“First, let me thank Luke Yankee for this extraordinary book. It’s been a long while since I’ve read anything that so comprehensively addresses the subject as THE ART OF WRITING FOR THE THEATRE. Not only is the book completely informative, it’s also a good read. The exploration of examples of playwriting, criticism, and analysis are invaluable. The interviews with some of the theatre’s most distinct voices is like going to the ultimate master class. The inclusion of people of diverse backgrounds makes it all the more applicable to everyone in a personal manner. I am an actor, director, writer, teacher, and devout audience member. This book will be by my side as a guideline in the future in each of those endeavors. Any student or teacher, or for that matter, anyone interested in the theatre in its most elemental form will benefit from this book. Get it and keep it on your shelf. I would be willing to bet that you will refer to it many times in the future.”

Ken Page
Star of the original Broadway companies of CATS & AIN'T MISBEHAVIN'

“This essential book sits squarely in the ‘required reading’ section for any university theatre course or for anyone who wants to understand the theatrical medium better. It begins with clear, inspiring lessons and tips that guide the writer from conception to fruition while including priceless wisdom from masters in our field. The text provides the reader with invaluable, user- friendly prompts that both allow the writer to be more understanding and critical of their own work, but also to view other’s works with a clearer eye. I simply found this book a pleasure to read and was enlightened and inspired about my own creative process as well as viewing all dramatic works with new insights. A must read!”

Prof. John B. Benitz
Chair, Department of Theatre, Chapman University

“Luke Yankee offers insightful discussions on the development of character, dramatic structure, and script analysis—all amply supported by interviews with distinguished contemporary theatre artists. Calling on his extensive career as actor, director, and writer, Yankee’s practical approach is an invaluable resource for anyone wishing to hone their skills in writing for the theatre.”

Lucien Douglas
Associate Professor of Acting, The University of Texas at Austin

“Having worked almost exclusively with new plays and emerging playwrights for over 30 years, it was fascinating to read the insights and wisdom Luke Yankee has managed to unlock from some of the best writers in our field today. This is essential reading for the next generation of playwrights. I finally have an answer when younger writers ask me what book to read about playwriting: this one!”

Jon Lawrence Rivera
Artistic Director, Playwrights Arena - Los Angeles

“This is a must-read for anyone in the arts, but particularly for young people with a hunger to immerse themselves in the nuts and bolts of the theatre, and the crucial importance of language. The accomplished director and playwright, Luke Yankee, leaves no stone unturned in this comprehensive work; he clearly has a great love and respect, not only for playwriting, but for all the essential elements that fill in the spaces.”

Victor Garber
Four-time Tony nominee for LEND ME A TENOR, DEATHTRAP, LITTLE ME, & DAMN YANKEES; six-time Emmy nominee

“I only wish when I was starting out that I had a book like this. It is filled with valuable and important information. Luke Yankee’s insight and guidance is spot on! Anybody who is thinking about going into this profession should start by reading this book.”

Scott Ellis
Nine-time Tony nominee as Best Director; Olivier award winner as Best Director for SHE LOVES ME

“One can’t have a life in the theater by taking shortcuts. One can’t enter this world with no regard for what has come before you. The elements needed toward becoming a true person of the theater are beautifully illuminated and enumerated in Luke Yankee’s book. He is a playwright and a director whose heart has been in the theater ever since he was a kid. Rightly so. Love and intelligence mix in this essential work.”

Joanna Gleason
Tony winner for INTO THE WOODS; three-time Drama Desk Award winner

“From the reader’s first encounter with the text and the writer’s confrontation with the empty page, Luke Yankee’s THE ART OF WRITING FOR THE THEATRE offers clarifying definitions and helpful guidance for aspiring playwrights and theatre critics. Using excerpts from his own plays as subjects for analysis and enlightening interviews with working playwrights and critics, the book offers a wealth of information and inspiration for all who seek to better understand the inner workings of the writer’s art.”

Evan Yionoulis
Richard Rodgers Dean and Director of the Drama Division, The Juilliard School

“You’ll have to go far and wide to find a better introduction to script analysis, playwriting, and criticism than this. Every theatre teacher should use this in their classroom. Practical and informative!”

Millicent Martin
BAFTA award winner and two-time Tony nominee for SIDE BY SIDE BY SONDHEIM and KING OF HEARTS

“This book has it all! It contains a concrete approach to understanding what’s inside a scene, a terrific tutorial on putting thoughts onto paper, a look inside the nuances of criticism, and straightforward advice from professionals at the top of their game. If you are a theatre artist who plans to put words on a page, you need to read and study this book.”

Professor Brian Kite
Dean - UCLA School of Theater, Film, and Television

“First, let me thank Luke Yankee for this extraordinary book. It’s been a long while since I’ve read anything that so comprehensively addresses the subject as THE ART OF WRITING FOR THE THEATRE. Not only is the book completely informative, it’s also a good read. The exploration of examples of playwriting, criticism, and analysis are invaluable. The interviews with some of the theatre’s most distinct voices is like going to the ultimate master class. The inclusion of people of diverse backgrounds makes it all the more applicable to everyone in a personal manner. I am an actor, director, writer, teacher, and devout audience member. This book will be by my side as a guideline in the future in each of those endeavors. Any student or teacher, or for that matter, anyone interested in the theatre in its most elemental form will benefit from this book. Get it and keep it on your shelf. I would be willing to bet that you will refer to it many times in the future.”

Ken Page
Star of the original Broadway companies of CATS & AIN'T MISBEHAVIN'

“This essential book sits squarely in the ‘required reading’ section for any university theatre course or for anyone who wants to understand the theatrical medium better. It begins with clear, inspiring lessons and tips that guide the writer from conception to fruition while including priceless wisdom from masters in our field. The text provides the reader with invaluable, user- friendly prompts that both allow the writer to be more understanding and critical of their own work, but also to view other’s works with a clearer eye. I simply found this book a pleasure to read and was enlightened and inspired about my own creative process as well as viewing all dramatic works with new insights. A must read!”

Prof. John B. Benitz
Chair, Department of Theatre, Chapman University

“Luke Yankee offers insightful discussions on the development of character, dramatic structure, and script analysis—all amply supported by interviews with distinguished contemporary theatre artists. Calling on his extensive career as actor, director, and writer, Yankee’s practical approach is an invaluable resource for anyone wishing to hone their skills in writing for the theatre.”

Lucien Douglas
Associate Professor of Acting, The University of Texas at Austin

“Having worked almost exclusively with new plays and emerging playwrights for over 30 years, it was fascinating to read the insights and wisdom Luke Yankee has managed to unlock from some of the best writers in our field today. This is essential reading for the next generation of playwrights. I finally have an answer when younger writers ask me what book to read about playwriting: this one!”

Jon Lawrence Rivera
Artistic Director, Playwrights Arena - Los Angeles

“This is a must-read for anyone in the arts, but particularly for young people with a hunger to immerse themselves in the nuts and bolts of the theatre, and the crucial importance of language. The accomplished director and playwright, Luke Yankee, leaves no stone unturned in this comprehensive work; he clearly has a great love and respect, not only for playwriting, but for all the essential elements that fill in the spaces.”

Victor Garber
Four-time Tony nominee for LEND ME A TENOR, DEATHTRAP, LITTLE ME, & DAMN YANKEES; six-time Emmy nominee

“One can’t have a life in the theater by taking shortcuts. One can’t enter this world with no regard for what has come before you. The elements needed toward becoming a true person of the theater are beautifully illuminated and enumerated in Luke Yankee’s book. He is a playwright and a director whose heart has been in the theater ever since he was a kid. Rightly so. Love and intelligence mix in this essential work.”

Joanna Gleason
Tony winner for INTO THE WOODS; three-time Drama Desk Award winner

“From the reader’s first encounter with the text and the writer’s confrontation with the empty page, Luke Yankee’s THE ART OF WRITING FOR THE THEATRE offers clarifying definitions and helpful guidance for aspiring playwrights and theatre critics. Using excerpts from his own plays as subjects for analysis and enlightening interviews with working playwrights and critics, the book offers a wealth of information and inspiration for all who seek to better understand the inner workings of the writer’s art.”

Evan Yionoulis
Richard Rodgers Dean and Director of the Drama Division, The Juilliard School

“You’ll have to go far and wide to find a better introduction to script analysis, playwriting, and criticism than this. Every theatre teacher should use this in their classroom. Practical and informative!”

Millicent Martin
BAFTA award winner and two-time Tony nominee for SIDE BY SIDE BY SONDHEIM and KING OF HEARTS

“This book has it all! It contains a concrete approach to understanding what’s inside a scene, a terrific tutorial on putting thoughts onto paper, a look inside the nuances of criticism, and straightforward advice from professionals at the top of their game. If you are a theatre artist who plans to put words on a page, you need to read and study this book.”

Professor Brian Kite
Dean – UCLA School of Theater, Film, and Television

“First, let me thank Luke Yankee for this extraordinary book. It’s been a long while since I’ve read anything that so comprehensively addresses the subject as THE ART OF WRITING FOR THE THEATRE. Not only is the book completely informative, it’s also a good read. The exploration of examples of playwriting, criticism, and analysis are invaluable. The interviews with some of the theatre’s most distinct voices is like going to the ultimate master class. The inclusion of people of diverse backgrounds makes it all the more applicable to everyone in a personal manner. I am an actor, director, writer, teacher, and devout audience member. This book will be by my side as a guideline in the future in each of those endeavors. Any student or teacher, or for that matter, anyone interested in the theatre in its most elemental form will benefit from this book. Get it and keep it on your shelf. I would be willing to bet that you will refer to it many times in the future.”

Ken Page
Star of the original Broadway companies of CATS & AIN’T MISBEHAVIN’

“This essential book sits squarely in the ‘required reading’ section for any university theatre course or for anyone who wants to understand the theatrical medium better. It begins with clear, inspiring lessons and tips that guide the writer from conception to fruition while including priceless wisdom from masters in our field. The text provides the reader with invaluable, user- friendly prompts that both allow the writer to be more understanding and critical of their own work, but also to view other’s works with a clearer eye. I simply found this book a pleasure to read and was enlightened and inspired about my own creative process as well as viewing all dramatic works with new insights. A must read!”

Prof. John B. Benitz
Chair, Department of Theatre, Chapman University

“Luke Yankee offers insightful discussions on the development of character, dramatic structure, and script analysis—all amply supported by interviews with distinguished contemporary theatre artists. Calling on his extensive career as actor, director, and writer, Yankee’s practical approach is an invaluable resource for anyone wishing to hone their skills in writing for the theatre.”

Lucien Douglas
Associate Professor of Acting, The University of Texas at Austin

“Having worked almost exclusively with new plays and emerging playwrights for over 30 years, it was fascinating to read the insights and wisdom Luke Yankee has managed to unlock from some of the best writers in our field today. This is essential reading for the next generation of playwrights. I finally have an answer when younger writers ask me what book to read about playwriting: this one!”

Jon Lawrence Rivera
Artistic Director, Playwrights Arena – Los Angeles

About the Author

LY-headshot-Rounded-Edges

Luke Yankee (yes, it’s his real name) is a critically acclaimed author, playwright, director, and producer. His memoir, Just Outside the Spotlight: Growing up with Eileen Heckart has been called “One of the most compassionate, illuminating showbiz books ever written” and was named “One of the Ten Best Celebrity Memoirs of All Time” (Michael Musto – Village Voice & PaperMag). It is published by Random House with a foreword by Mary Tyler Moore. His play, The Last Lifeboat is published by Dramatists Play Service and has received more than 55 productions in the U.S. and Canada.  Other plays include Marilyn, Mom & Me, The Man Who Killed the Cure, Confessions of a Star Maker, The Jesus Hickey, and A Place at Forest Lawn. His television specs and pilots have all won or been finalists in major contests, including Sundance, Warner Bros. TV Writer’s Workshop, and Scriptapalooza. His screenplay version of The Last Lifeboat was one of ten scripts chosen internationally for the DreamAgo Screenwriting Workshop in the Swiss Alps. As a professional director and producer, Mr. Yankee has worked on and off-Broadway at venues ranging from Radio City Music Hall to the ms Crystal Symphony, assistant directed six Broadway shows, and has served as artistic director of two regional theatres. He is the head of playwriting at California State University, Fullerton, where he also teaches classes in script analysis and theatre criticism.  In addition, he teaches beginning and advanced playwriting at Chapman University and has taught writing and acting workshops all over the U.S., and abroad.

www.LukeYankee.com

About the Author

Luke Yankee (yes, it’s his real name) is a critically acclaimed author, playwright, director, and producer. His memoir, Just Outside the Spotlight: Growing up with Eileen Heckart has been called “One of the most compassionate, illuminating showbiz books ever written” and was named “One of the Ten Best Celebrity Memoirs of All Time” (Michael Musto – Village Voice & PaperMag). It is published by Random House with a foreword by Mary Tyler Moore. His play, The Last Lifeboat is published by Dramatists Play Service and has received more than 55 productions in the U.S. and Canada.  Other plays include Marilyn, Mom & Me, The Man Who Killed the Cure, Confessions of a Star Maker, The Jesus Hickey, and A Place at Forest Lawn. His television specs and pilots have all won or been finalists in major contests, including Sundance, Warner Bros. TV Writer’s Workshop, and Scriptapalooza. His screenplay version of The Last Lifeboat was one of ten scripts chosen internationally for the DreamAgo Screenwriting Workshop in the Swiss Alps. As a professional director and producer, Mr. Yankee has worked on and off-Broadway at venues ranging from Radio City Music Hall to the ms Crystal Symphony, assistant directed six Broadway shows, and has served as artistic director of two regional theatres. He is the head of playwriting at California State University, Fullerton, where he also teaches classes in script analysis and theatre criticism.  In addition, he teaches beginning and advanced playwriting at Chapman University and has taught writing and acting workshops all over the U.S., and abroad.

www.LukeYankee.com

Available in hardcover, paperback and ebook formats.
Release date August 11, 2022.